– 27.04.2025
Uriel Orlow’s exhibition ‘Memória Colateral / Collateral Memory’ proposes an investigation into the concept of restitution, a theme he has explored for more than two decades. Beyond the simple return of objects or artefacts, restitution needs to be taken as a collective responsibility to reintegrate marginalised memories into history. This concept gains expression in interventions that recover forgotten knowledge and propose new ways of narrating historical events. Emphasis is placed on listening to the resonances of suppressed narratives in the present and fostering an ethic of memory and reparation.
In English, the term ‘collateral damage’ broadens the idea of damage beyond the immediate and visible. This broader interpretation is in line with Orlow’s approach to legacies of violence and insidious erasures of knowledge systems. By illuminating events that remain on the margins of hegemonic narratives, Orlow proposes an inclusive reflection on reparation and responsibility.
Working with video, drawing, photography, sound and installation, the artist presents projects that span his artistic career and include geographies such as Poland, Guatemala, Nigeria and Lisbon. The area around Belém, where the 1940 Portuguese World Exhibition was held, is a symbolically charged setting, emphasising the tensions between the colonial legacy and the need to reconfigure historical memories. In the Tropical Botanical Garden, with its xylotheque, Orlow explores urgent questions for the present: What does restitution to nature mean? These reflections articulate the relationship between colonial pasts and the contemporary need for an ethic of reparation that encompasses both human communities and the environment. Throughout the exhibition, Orlow interweaves these geographies and narratives in a critical reflection on historical memory, emphasising the urgency of processes of recognition and accountability for the past in the present.
– Bruno Leitão, curator
– 27.04.2025