This island that exists within me

Constança Entrudo, Paulo Pires do Vale and Vera Mantero. Moderated by Liliana Coutinho and Rita Cêpa (Collective of Curators from the Post-Graduate Course in Art Curatorship at NOVA-FCSH University)

This afternoon conversation departs from the exhibition On the edge of the landscape comes the world and features the participation of Constança Entrudo, Paulo Pires do Vale and Vera Mantero. Moderated by Liliana Coutinho and Rita Cêpa (from the collective of Curators of the Post-Graduate Course in Art Curatorship of NOVA-FCSH), this session will be centred on the exploration of the principal questions that embody the universe of the exhibition, which focusses on the contemporary artistic production from Madeira.

Artistic production presents itself here as an extension of a particular cultural landscape. But what does each participant contribute from their own landscape? The textile and fashion designer Constança Entrudo, together with essayist, curator and commissioner of the Plano Nacional das Artes, Paulo Pires do Vale as well as dancer, choreographer, performer Vera Mantero will be in discussion during this public program event.

The works on view here may refer to the island, but do not seek to be conditioned by it. Introducing new imaginary possibilities that are detached from physical borders, the public is invited to establish a dialogue with the speakers. As a means of joint reflection on the works presented in the exhibition “On the edge of the landscape comes the world”, this conversation is an opportunity for speculation on new relationships and archipelagos of meaning.

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Exhibition

Date
Title
Artists
Curated by
Gallery
30.06.2021
– 31.08.2021
On the edge of the landscape comes the world
Bruno Côrte, Ção Pestana, Carolina Vieira, Dayana Lucas, Duarte Ferreira, Filipa Martins, Hélder Folgado, Hugo Brazão, Hugo Olim, Joana Viveiros, Mariana Marote, Miguel Ângelo Martins, Nuno Henrique, Ricardo Barbeito, Sara Rodrigues, Tiago Casanova, Vítor Magalhães
Collective of Curators from the Post-Graduate Course in Art Curatorship at the Faculty of Social and Human Sciences, NOVA University of Lisbon
Pavilhão Branco